mobil ave (intro)

. . . it's worth recalling that the Greek word psyche meant both soul and butterfly, and that the character Psyche travels down into the Land of the Dead to prove herself worthy of Love. ~Rachel Pollack

"Happy families are all alike; each unhappy family is unhappy in its own way."

~Leo Tolstoy: Anna Karenina

Mal: "You're waiting for a train; a train that will take you far away. You know where you hope this train will take you, but you can't be sure. But it doesn't matter - because we'll be together."

Arrival of a Train at La Ciotat, 1895

locomotive |ˌlōkəˈmōtiv|

noun

a powered rail vehicle used for pulling trains

adjective

of, relating to, or effecting locomotion

• archaic (of a machine, vehicle, or animal) having the power of progressive motion

ORIGIN early 17th cent.(as an adjective): from modern Latin locomotivus, from Latin loco (ablative of locus ‘place’ ) + late Latin motivus ‘motive,’ suggested by medieval Latin in loco moveri ‘move by change of position.’

Loco-Motive

loco

adjective informal

crazy.

ORIGIN late 19th cent.: from Spanish, ‘insane.’

motive

noun

1 a reason for doing something, esp. one that is hidden or not obvious

2 (in art, literature, or music) a motif

adjective [ attrib. ]

1 producing physical or mechanical motion

2 causing or being the reason for something

There is an urban myth that when the Lumiére brothers premiered one of their earliest films, The Train Arriving, 1895, the crowd rushed out of the theater--you see, the film was nothing more than a train arriving, but the story was, that those watching this new dream-like technology feared for their lives, expecting this oncoming train to overtake them. . .

I'm being overtaken by this symbol as well. Yet, recall "The Beginning Of Something Big"

I got something coming, and I really wanted to add to this today, but my train didn't arrive. I might need some help getting out of this limbo, out of this belly of the whale . . .

someone get me a train. . .

. . . I'm beginning to make sense of the pattern,

to see an exit from the Labyrinth, to understand the Corn Maze,

(that or I've gone crazy in a lighthouse)

Inception is describing something to me, that much is sure, but what, I don't know. [I think I do today.] There are a lot of sync elements in this film bringing together many strands of thread that I've looked at in the past. The film is presenting these strands together though, perhaps--no definitely--as one piece of thread, but knotted so tightly that to finally see the rainbow connections, one must realize the unity of the previously perceived separate strands while demystifying the paradoxes and untying the knots. That task complete, I believe we can then follow this one thread, Ariadne's gift to us out, of the labyrinth. . . maybe.

Easy right?

Of course, that fucking train . . .

. . . such a potent symbol too. Like the very internet itself, uniting and dividing--an unbroken line of connections, forming patterns, and relationships, but destroying something else in the process too.

Before I get to the sync knots, I want to mention the butterfly I invoked at the beginning. On the final night of The Ti♋er, the fatal 4, became The Furious 5 by way of a ceremony at Strange Eye's place (lovely chap!).

Of course I was wearing my ridiculous blue, 1970's western JackET. During my blessing, Jim sang a beautiful Icaro about a blue butterfly. At that moment I knew that this was my icaro, that he wrote it for me and for this moment. (And that was true for that moment.) It was a very moving evening. Jim literally transformed into my uncle, my father's older brother, and I naturally became my father. In that moment, Jim and I truly were brothers.

Jim's ceremonial gear in the late 50's

Jim on drums, me clowning on the uke.

sync walk 7/27

(more soon!)

∞ (Holy Fool)

Sahasrara (Ymirsday)

U R AN US

vii˚

Thousand Petalled

Leading Tone

If we remove that glasslike barrier of which Ramakrishna spoke, ['It is like the light of a lamp inside a glass case. One feels as if one could touch the light, but the glass intervenes and prevents it.' ] both our God and ourselves will explode then into light, sheer light, one light , beyond names and forms, beyond thought and experience, beyond even the concepts "being" and "non-being." "The soul in God," Eckhart has said, "has naught in common with naught and is naught to aught." And again: "There is something in the soul so nearly kin to God that it is one and not united."

The Sanskrit term Nirguna Brahman, "The Unqualified Absolute," refers to the realization of this chakra. Its lotus, Sahasrara, "Thousand Petalled," hangs head downward, shedding nectarous rays more lustrous than the moon; while at its center, brilliant as a lighting flash, is the ultimate yoni-triangle, within which, well concealed and very difficult to approach, is the great shining void in secret served by all gods. "Any flea as it is in God," declared Eckhart, "is nobler than the highest of the angels in himself."

"Glowing Sun"

Ajna (Odinsday)

Saturn

vi

Command

Submediant

When the tasks of the fifth chakra have been accomplished, two degrees of illumination become available to the perfected saint, that at the sixth, known as savikalpa samadhi, "conditioned rapture," and finally, supremely, at the seventh chakra, nirvikalpa samadhi, "unconditioned rapture." Ramakrishna used to ask those approaching him for instruction: "Do you like to speak of God with form or without?" And we have words of the great doctor ecstaticus Meister Eckhart, referring to the passage from six to seven: "Man's last and highest leave-taking is the leaving of God for God."

The center of the the first of these ecstasies, know as the lotus of "Command," Ajna, is above and between the brows. The uraeus serpent in Egyptian portraits of the pharaohs appears exactly as though from this point of the forehead. The center is described as a lotus of two pure white petals, bearing the syllables ham and ksham. Seated on a white lotus near its heart is the radiant six-headed goddess Hakini, holding in four of her six hands a book, a drum, a rosary, and a skull, while the remaining two make the "fear-dispelling" and "boon-bestowing" signs. Within the yoni triangle is a Shiva Lingam, shining "like a chain of lighting flashes," supporting the sign of the syllable OM, of which the sound is here fully heard. And here, too, the form is seen of one's ultimate vision of God, which is called in Sanskrit Saguna Brahman, "The Qualified Absolute."

When the mind reaches this plane, one witnesses divine revelations day and night. Yet even then there remains a slight consciousness of "I." Having seen the unique manifestation man becomes mad with joy as it were and wishes to be one with the all-pervading Divine, but cannot do so. It is like the light of a lamp inside a glass case. One feels as if one could touch the light, but the glass intervenes and prevents it.

For where there is a "Thou" there is an "I," whereas the ultimate aim of the mystic, as Eckhart has declared, is identity: "God is love, and he who is in love is in God and God in Him."

Vishuddha (Thorsday)

Jupiter

V

Purified

Dominant

Once the great mystery-sound has been heard, the whole desire of the heart will be to learn to know it more fully, to hear it, not through things and within during certain fortunate moments only, but immediately and forever. And the attainment of this end will be the project of the next chakra, the fifth, which is at the level of larynx and is called Vishuddha, "Purified." "When the Kundalini reaches this plane," said Ramakrishna, "the devotee longs to talk and to hear only of God."

The lotus has sixteen petals of a smoky purple hue, on each of which is engraved one of the sixteen Sanskrit vowels. In the middle of its pure white central triangle is a white disk, the full moon, wherein the syllable ham, of the element space of ether, rests on the back of a pure white elephant. The patron of this center is Shiva in his hermaproditic form know as Ardhanareshvara, "Half-Woman Lord," five-faced, clothed in a tiger's skin, and with ten radiant arms. One hand makes a "fear-dispelling" gesture and the rest are exhibiting his trident, battle-ax, sword, and thunderbolt, a fire, a snake-ring, a bell, a goad, and a noose, while beside him his goddess, here called Sakini, holds in her own four hands a bow, an arrow, a noose, and a goad. "This region," we are told in a Tantric text, "is the gateway of the Great Liberation." It is the place variously respresented in the myths and legends of the world as a threshold where the frightening Gate Guardians stand, the Sirens sing, the Clashing Rocks come together, and a ferry sets forth to the Land of No Return, the Land Below Waves, the Land of Eternal Yourth. However, as told in the Katha Upanishad: "It is the sharpened edge of a razor, hard to traverse." ~The Mythic Image Joseph Campbell

Shiva Ardhanari, "Half-Woman Lord."

I need to break in here and point out how special and exiting this post is for me. For a quick recap of what I've been doing, I've begun making an association built upon our primary sevens, such as the seven lotus centers (chakras), the days of the week, the seven notes in the western diatonic music scale, & the important heavenly bodies/western deities. With that in mind, I started climbing the chakras combining the associations with the help of Joseph Campbell's explanations of the lotus centers. So then, why is the post exciting?

In the west, Zeus, Jupiter, and Thor are most definitely Male powers. This lotus center being at the throat originally illustrated to me the patriarchy's vocal power for verbally stating the law. However, when viewed from the Indian, as J.C. related--this center is balance. The representative deity is Ardhanari, "Half-Woman Lord". Amazing! So in this post we find all the recent sync whole themes coming home to roost. Here is the purple. Here are the two faces of Janus. Here is the tiger, the trident, the thunder bolt. Here is Avatar as the new religion, which is plant consciousness. Here is the west relearning how to live. Here is a feminine counterpart to the western patriarchy. Here is the moon and Jupiter together. Here is a union of the dualities. Here is the way. . .

And this is also the threshold of adventure. Indeed. Here you go between the guardians, and through the moon. This is the jumping off place, The cantina on Tatooine, "the gateway of the Great Liberation." Sorry I ever doubted your faith in Jupiter, Jim and Jake. This is so exciting. This is wholeness. . .

Anahata (Heartsday)

Earth

IV

Not Struck

Subdominant

And so we ascend to chakra four, at the level of the heart, where what Dante called La Vita Nuova, "The New Life," begins. And the name of this center is Anahata, "Not Struck"; for it is the place where the sound is heard "that is not made by any two things striking together."

Every sound normally heard is of two things striking together; that of the voice for example, being the sound of the breath striking our vocal cords. The only sound not so made is that of the creative energy of the universe, the hum, so to speak, of the void, which is antecedent to things, and of which things are precipitations. this, they say, is heard as from within, within oneself and simultaneously within space. It is the sound beyond silence, heard as OM (very deeply intoned, I am told, somewhere about C below low C ). "The word OM," said Ramakrishna to his friends, "is Brahman. Following the trail of OM, one attains to Brahman."

In the Sanskrit Devanagari script OM is written either as ॐ or as ओ , and in the posture of the dancing Shiva image the pose of the head, hands, and lifted foot suggests the outline of this sign--which makes the point that in the appearance of this god the sound resounds of the wonder of existence.

The sound AUM, the, "not made by any two things striking together," and floating as it were in a setting of silence, is the seed sound of creation heard when the rising Kundalini reaches the level of the heart. For there, as they say, the Great Self abides and portals open to the void. The lotus of twelve red petals, marked with the syllables kam, kham, gam gham, ngam, cham, chham, jam, jham, nyam , tam, and tham, is of the element air. In its bright red center is an interlocking double triangle, the color of smoke, signifying "juncture" and containing its seed syllable yam displayed over an antelope, which is the beast, swift as wind, of the Vedic wind-god Vayu. The female triangle within this letter holds a lingam like shining gold, and the patron Hindu deity is Shiva in a gentle, boon-bestowing aspect. His shakti, known here as Kakini, lifts a noose and skull in two hands, while exhibiting with her other two the "boon-bestowing" and "fear-dispelling" gestures. ~Joseph Campbell The Mythic Image

Wish-Fulfilling Tree

The Hatch

Just below this lotus of the heart there is pictured a lesser [octagonal], uninscribed lotus, at about the level of the solar plexus, supporting on a jeweled altar an image of the Wish-Fulfilling Tree. For it is here that the first intimations are heard of the sound OM in the Silence, and that sound itself is the Wish-Fulfilling Tree. Once heard, it can be rediscovered everywhere and no longer do we have to seek our good. It is here-within-and through all things, all space. We can now give up our struggle for achievement, for love and power and the good, and may rest in peace.~Joseph Campbell The Mythic Image

Manipura (Tiwsday)

Mars

iii

City of The Shining Jewel

Mediant

Chakra three, at the level of the navel, is called Maipura, "City of the Shining Jewel," for its fiery heat and light. Here the energy turns to violence and its aim is to consume, to master, to turn the world into oneself and one's own. The appropriated occidental psychology would be the Adlerian of the "will to power"; for now even sex becomes an occasion, not of erotic experience, but of achievement, conquest, self-reassurance, and frequently, also revenge. The lotus has ten petals, dark as thunderheads heavy laden, bearing the seed syllables dam, dham, nam, tam, tham, dam, dham, nam, pam, and pham. Its central triangle, in a white field, is the sign of the element fire, shining like the rising sun, with swastika marks on its sides. The ram, its symbolic animal, is the vehicle of Agni, Vedic god of the scrificial fire, bearing on its back the syllable ram, which is the seed syllable or sound form of this god and his fiery element. The presiding Hindu (as distinct from Vedic) deity is Shiva in his terrible guise as an ascetic smeared with the ashes of funeral pyres, seated on his white bull Nandi. And at this side is his goddess shakti, enthroned on a ruby lotus in her hideous character of Lakini. Lakini is blue, with three faces, three eyes to each; fierce of aspect, with protruding teeth. She is fond of meat; her breast is smeared with grease and blood that have dripped from her ravenous jaws; yet she is radiant, elegant with ornaments, and exalted from the drinking of ambrosia. She is the goddess who presides over all rites of human sacrifice and over the battlefields of mankind, terrible as death to behold, though to her devotees gracious, beautiful, and sweet as life.~ Joseph Campbell The Mythic Image

-a note here. I realize that Earth is the 3rd rock from the sun, from our sol, our source. However when I found this connection between the chakras, the planets, the gods, and the days of the week, I saw this connection between Mars and Earth flipped. The interesting thing of late is how I'm beginning also to see a heart/navel connection as they relate to the center. Is Heart center? Is Navel center? Heart is the source of love or the conduit of love. Navel is the source of life--portal to the womb, the galactic center. Our navel shows our connection to The Mother's navel--our home, the universe.

Was our home and heart once the red Mars? Did we destroy that and then claimed the previous rock our new heart?

This work I'm doing now is leading to my "Diagram of The Universe: 432" where I explore the architecture of The Goddess through her numbers. I'm finally climbing Jacob's ladder here on the blog, but notice how the first three chakras represent the underworld. The fourth is material, is Earth, is the mother, is the tree upon which life hangs. 5, 6, 7 are the heavenly centers. So then of the tree of life: 1, 2, 3 = roots; 4 = tree; 5, 6, 7 = branches.

More from Campbell about these lower charkras (I also recall with interest how our Martian charioteer, George II, made his decisions from the gut.):

These, and these alone [the first three chakras], have supplied the motivations of historical man, his effective moral systems, and his nightmare of world history. They are the centers of the basic urges, furthermore, that mankind shares with the beasts -- namely, (1) to survive alive by feeding on other lives, (2) to generate offspring, and (3) to conquer and subdue. Unrestrained by any control system, these become devastating, as the history of the present century surely tells. For as declared in the IndianArthasastra, "Textbook on the Art of Winning": "When uncontrolled by virtue (dharma) and the big stick (danda), men become wolves unto men." The Inner Reaches of Outer Space, pg. 63-64 by Joseph Campbell, St. James Press, Toronto, 1986.

Now all three of these lower chakras are of the modes of man's living in the world in his naïve state, outward turned: the modes of the lovers, the fighters, the builders, the accomplishers. Joys and sorrows on these levels are functions of achievements in the world "out there" : what people think of one, what has been gained, what lost. And throughout the history of our species, people functioning only on these levels (who, of course, have been in the majority) have had to be tamed and brought to heel through the inculcation of a controlling sense of social duty and shared social values, enforced not only by secular authority but also by all those grandiose myths of an unchallengeable divine authority to which every social order--each in its own way--has had to lay claim. Wherever motivations of these kinds are not checked effectively, men, as the old texts say, "become wolves unto men."

However, it is obvious that a religion operating only on these levels, having little or nothing to do with the fostering of inward, mystical realizations, would hardly merit the name of religion at all. It would be little more than an adjunct to police authority, offering in addition to ethical rules and advice intangible consolations for life's losses and a promise of future rewards for social duties fulfilled. Hence, to interpret the imagery, powers, and values of the higher chakras in terms of the values of these lower systems is to mistranslate them miserably, and to lose contact in oneself, thereby, with the whole history and heritage of mankind's life in the spirt.~Joseph Campbell The Mythic Image